Author: Sean Ongley

  • Taking a Left with Jean-Paul Jenkins

    Taking a Left with Jean-Paul Jenkins

    Jean-Paul Jenkins is an old friend and whenever we hang out we talk about whatever – anything – either competently or not, it is always an engaging thing. The concept of agreeing to disagree tends to work with matters that don’t involve real action at hand, and I believe because we ultimately live about the same kind of way, we thus get along fine.

    We’re low-income artists. We like communities, although we don’t tend to embed ourselves deeply into political parties or other kinds of groups outside of our music scene. It’s fascinating to me how my broad outlook and behavior in life hasn’t changed while I’ve become far more conservative in a pragmatic sense but anarchist in my baseline ideal social philosophy, thus maligning me from my politically obsessed socialist/progressive friends.

    This interview became a socialist versus libertarian argument, although I’m not either in true form, I am a little from both columns and I’m willing to be friendly with anyone who is friendly with me and those around me.

    That combined with my newfound great distrust for centralized power, I am trying to mend my old progressive views while decentralizing power.

    I really see a decentralized world more in line with the values that the new left espouses, but it’s difficult, because for some reason, power is deeply tied to the marxist way of viewing life, and capital is the primary source of power. Ironically, most socialists distrust authority while seeking it.

    JP makes a lot of compelling arguments and shares his story of living in a communitarian kind of way. As long as I have known him, he always offered a place to crash and food to eat to those around him. I always offered to lend a hand. That voluntarist kind of way is where we actually met common ground in life.

    Our band Death Worth Living was a voluntary band. The shows weren’t profitable. We toured a little bit but it was a kind of music that involved total cooperation. He did not start the band with me, but his involvement helped establish the group as a purely improvisational act.

    It’s good to see him playing with his band, who I was a big fan of, CEXFUCX, again, and I keep threatening to visit Portland again.

  • “Topaz”

    “Topaz”

    https://soundcloud.com/seanongley/topaz-1?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

    First new song in years, outside of synth drone pieces. I consider those more like ambient improvisations or loose compositions. This is a song. It’s meant for the dance floor, that was what I aimed for. That kind of piece I haven’t produced in many years.

    This felt great to make, it’s straightforward, it’s not overthought. That is really a change in me. It reflects the same ego work and heartfelt process that honestly has made many aspects of life easier. Art is meant to be channeled not conceived.

    Please enjoy it, or if not, tell me why. I’m far more open to feedback than before, for that matter.

  • The Initiative of Texas Slim and his Beef with Big Industry

    The Initiative of Texas Slim and his Beef with Big Industry

    Texas Slim is a guy from Texas named Slim, not to be confused with the recording artist. He is on a tear against the establishment from the angle of beef, and he calls his crusade The Beef Initiative.

    Our conversation swirls around the cow as she connects to all areas of industry and agriculture. While I do not share his enthusiasm for a meat-based diet, I do not have an issue with it because I am a meat eater, and I agree that we can steward animals in a way that is good for everyone involved.

    We are domesticated ourselves. We abuse ourselves. In general, there is a lot of heart missing from our systems.

    At the same time, I own a vegan fashion brand, I’m a traditional liberal from Portland, and so I absorb vegan arguments routinely, and I’m broadly familiar with the arguments surrounding industrial farming, so I was pretty enthusiastic throughout this talk.

    Raising animals in the humane way can be sustainable and produce nutritious, bountiful, clean food. Getting away from mono cropping and more toward smaller farms with varieties of foods, that is the path forward, unless we want to go totally down the road of synthetic foods and centralized distribution systems, forever.

    This is the main thing that vegans and farmers, libertarians and democrats should be getting behind. Of course, our social environment is set to reduce this kind of harmonious discourse.

    Myself an historically left wing person now aligning more toward libertarian while continuing to have a social life with progressives and socialists has becoming quite an interesting thing for me.

    I try to be the example every day of what it means to tolerate and love everyone. Not everyone sees it that way and I have to let them go.

    This was a great talk and I enjoyed meeting him. Hope to do it again. We didn’t even get into Bitcoin, and that is a big part of his inititative.

  • Intro to Held Gear

    Intro to Held Gear

    This video was kind of an accident. The producer of a fashion show that I participated in called “Red Carpet on Broad Street” came over to shoot a promo. She wanted to make promo video of every designer. I offered my camera and editing. Scheduling and timing just didn’t click, so I took what we had to make this.

    It’s basically an intro to Held Gear, as it is now. As time passes, the narrative about myself taking it over will be less and less relevant. It still feels weird.

    This is a brand I’ve worn for 12 years, I’ve wanted to be involved with it but never expected to be passed a hot potato.

    The work is challenging and never ending. It’s like always being behind, until you realize that you’re the boss and nobody is expecting what you are. It’s just step by step. One day at a time.

    There is so much going on in the background of doing this project. For one thing, I am new in town. I am a socially awkward rather introverted person. I have a way of performing for the camera, for the audience, but I can also choke that when the introversion kicks in. It’s a tight rope always.

    Philadelphia is a place that doesn’t just embrace newcomers and people with bullshit on their sleeve. It has to be your heart. So I’ve learned.

    The journey is only beginning, and there will be many more videos for Held to come. Thanks to Forest for kickstarting me back into photography and video editing. It’s wonderful, I love it.

  • 2013 Jazz Festival Interview with Oregon Music News

    2013 Jazz Festival Interview with Oregon Music News

    Interview with OMN about CPJazz Festival 2013.

    Sitting down with Oregon Music News man Tom D’Antoni to discuss the forthcoming and imminent 33rd annual Cathedral Park Jazz Festival. The year is 2013, and we are sitting in KMHD studios.

    I am here 30 years old, but I haven’t aged a bit. Neither has that shirt, which I still wear.

    This interview is me settling into my role as a leader. I started to feel comfortable with that, less and less imitating and more being direct.

    Yet, this was the last year I would run the festival. I succumbed to burnout. Maybe I should have, maybe not. It definitely feels like a mistake in retrospect. Only you can conquer time, but only in the present, so that’s that.

    This was a great festival. I still haven’t written a memoire on the jazz years, but it’s in the bucket list.