Three dual-camera videos to demonstrate that, to at least a presentable level, A) I can play the drums B) produce the drum tracks and C) cut multi-cam video for whatever purpose.
The first of these three videos came out the best. It is a jazz interpretation of “Reckoner” by my favorite rock/pop act Radiohead. This is one of my favorite songs and even they struggle to capture what they did in the studio with this song.
Someday, it could almost be done with this drum take and different musicians dubbing in the music, I would like to cover the song with a complete band live. This video should help illustrate to people what I want to produce.
Covering a few songs.
The next is a few songs that I’ve butted up together to show a range. It’s all rock, but it’s a range, and these are songs that I practice regularly, amidst roughly thirty songs that I’ve been learning.
The editing is not as good as I’d like, the playing is not as good as I’d like, and those go hand in hand. Part of this is to show that I can edit mistakes seamlessly into a Multicam situation. The average viewer can’t spot each jump in the song, but good players and editors will see it immediately.
One problem is that I threw out two complete sessions because the iPhone video was somehow lost. This one is honestly the third coming back from a trip and not having played drums for a week.
The songs are “Y Control” by the Yeah Yeah Yeahs, “Manic Depression” by Jimi Hendrix Experience, and “Achilles Last Stand by Led Zeppelin.
Improvising a little bit.
Finally, it’s just me. What is interesting is that I used to be a total improviser. I barely have discipline now. I should take all of these songs and transcribe the core drum parts as well as the musical sections and have them on my music stand.
I don’t even run the fundamentals like I did when I improvised. I’m very weird like that. All I do now is sit down and start playing my playlists, and I almost never play a song twice. It’s like I’m forcing myself to know what it means to be prepared to play at any moment.
Something else that has been good for that and has accelerated my playing has been the open jams at The Grape Room in the Manayunk neighborhood. You can find me there many Wednesday nights just jumping on stage and facing whatever the players throw at me.
No doubt, by the end of the year, I’ll run another round of these with my new camera, giving me three angles and a much higher quality camera.
The drum session can be opened up and tweaked as well, rather than rebuilt from scratch. I hear a gate that’s releasing to abruptly on the mid tom. Not awful but it’s there and I’ll have to fix it.
It is always fun to get on a live interview with someone whose podcast I listen to, such as Cash Daddies, where I like to pick up both humor and financial information. That program is co-hosted with comedian Chris Neff.
He was the third host to come on the show. Like Lebowski’s rug, he ties the whole thing together. The other hosts are former Goldman Sachs trader and Manhattan-based comedian Howie Dewie, and Sam Tripoli, whose conspiracy podcast Tin Foil Hat remains one of my favorites.
Chris has been performing in Los Angeles for many years, sharing the stage with the best of them. Early in his life, surely he was chasing the illuminati dream, and landed himself a lucrative career in commercial acting.
With the internet era, the sort of checks put out for a relative select number of actors for television royalties eventually waned. The career dried out. And in the process of all that, he started operating a small business pretty much out of his home, which remains successful today.
As a stock trader comedian business owner, his perspective is unique and fits snug in the comedic styles of Dewie and Tripoli.
It was great chatting with him for the hour in this interview. We talk about life in Los Angeles, the markets, creative careers, and of course the biographical stuff mentioned above.
Emily is a Los Angeles based yoga instructor and much more. She runs a fashion startup for athletic/dance/yoga gear. She has developed a complete internet persona that promotes her virtual teaching and coaching as well.
Despite all of these things typically associated with liberal communities, she is more conservative. She is like myself however, kind of post-liberal and definitely post-post Republican.
Libertarians are not MAGA. Sometimes they intersect, but there is a major distinction, and from my experience, they have much more alignment with the traditional liberal.
In this discussion we talk about finding our careers, loving all people and respecting a diversity of views, growing up in California, and living in communities where our views could be taken the wrong way.
Her following on Twitter @astateofEmily became a phenomenon because she was courageous enough to speak defiantly about what many of us have considered a scam these last two plus years. Like myself, we are growing there within the conservative side of things, but she being independent in thought has to take shit from all sides.
As it is becoming more typical of my approach, I tried to dig into her biography and get to know her.
Our talk is what I would call sweet. It was like getting lunch with someone new in your life. I suppose that I set that intention with the original title of the livestream.
I thank Emily for joining me on the Not-a-Podcast Show and I hope we can to work together again soon.
The easiest way to discover all of her projects is via Link Tree.
Talking with comedian and mystic of the world, Christian Ricketts.
Blaze Trailing with Christian Ricketts
In Portland around 2011, I looked up to Christian Ricketts. He was beloved by comedians and did well with random audiences. He knew how to run a straight comedy set to satisfy an industry room. He also knew how to surprise his own scene, his fellow comics, and give them something they wouldn’t forget.
Like many talented and sensitive artists, he hasn’t taken well to that level of admiration. He needs to run off and discover himself outside the identity of comedian. He wants to be sure his ego cannot take control over his life, especially in the unfortunate event of critical acclaim and financial success as an entertainer.
We have lived parallel lives, I suppose. Only he voluntarily curbed his ego, I’ve always had to let the universe kick the shit out of me.
Nonetheless, we might be coming back to our senses and finding success in our own ways from here out. The ego work has been huge.
That is what makes this a compelling conversation between myself and Christian Ricketts. Sometimes the trailblazer finds themselves behind the very blaze they lit.
Held Gear was packed into a box and shipped to Philadelphia one month ago yesterday. Already I have worked an event and sold dozens of units. People are digging it.
Yesterday, I published this abstract documentary, meant to capture the energy and process of transferring the business into my possession.
Keeping narrative minimal, I used fragments and long shots to reveal detail and carry the story. Every moment is laden with humor, synchronicity, or irony. It is choppy, it is lo-fi. It is honestly myself.
My whole story with Held is much longer. My first belt came into my possession as a raffle item that I grifted from No.Fest 2009.
I wore that belt until 2018. That is when I had my Mother buy me one as a Christmas gift, to replace it.
Now I own all the belts. Talk about bang for buck.
On August 4, 2012, our mutual friend Todd asked me to help him help Micah moving out of his shop. We used the No.Fest van to move him out. I took a few photos, rediscovering them very recently.
Over the years, he kept the brand alive online, and when he was healthy, continued selling them at events. It was always reliable income for him.
Health and personal matters compounded and led to his humble conclusion that it was meant for someone else to continue.
The whole story is contained in the two-hour livestream with Twin in which we discuss his life, Held, the arts, and spirituality.
At the opening of this talk, he drops Jesus immediately. I am comfortable with that, I have found Jesus to be a guide, teacher, and savior. I accept Christ and believe in the sacred heart.
There is no conflict between myself and Twin, however, there was someone present that has more intense feelings. We all worked it out and it was fine. But the issue presented a question to me, it was a reminder of something sacred in my relationship with people.
Twin took me out to the flood plain in the valley that his property connects through. He walked back home and I hung out. When I was on a smidgen of mushrooms and walking the pathless desert, hiking a small mountain, the perfection of the universe palpable, heart open, this feeling that we tie men to the divine and thus tie ourselves up to men, continued to resonate.
This is not controversial to anyone other than fundamentalists that view Jesus as equal to Christ and equal to God by proxy and there is literally no way around eternal damnation but to accept Jesus.
I decided to separate the desert walk from the doc. I had video and images of his property and more, but it’s a distraction.
Part of the mission with Held is to support Twin’s community work not only running a totally free and voluntary radio signal for Why, but also with indigenous communities and nature connectivity inherent to his property. This should be a documentary in itself.
Who Twin is, I believe will remain someone that understands the path that people need to take can get weird.
Twin handed me a copy of X-Ray Visions from the thrift shop. It inspired me to just cut videos regardless of how roughly they are produced, and get on with my heart’s desire to produce film.
X-Ray Visions shows an era of Portland when the artists were anarchist-hippy-weirdos that tolerated anyone and everyone except for douche bags. The venue known as X-Ray Cafe was a prism for the weird in Portland in the late 1990’s.
Now Portland has colonized weirdos and industries have weaponized them. The movement that was Portland’s whole energy from the time that Twin came up there truly is the basis for the HELD brand of punk/urban styles with social/environmental ethos. It is essentially 90’s Portland. No wonder the brand is still received as cool.
When I watched that, it reminded me of the importance of letting people encounter their path in life naturally. A strange, winding path has been mine, and it led me to take on Held.
My argument was that if someone is devoted to a spiritual life, even if that person’s realm is pathless (like mine), they will encounter Jesus.
Lo and behold, I had wandered off the trail and in my searching I encountered a saguaro adorned with Mother Mary and Baby Jesus.
Saguaro in the Why valley adorned with Mary and Jesus.
Micah and myself intersected in Portland briefly, and I had to keep in touch with him in Arizona. That’s when he became Twin. He had property in the wild and it was an excuse to get away from my family in Tucson when I was on family visits, especially as a layover toward Los Angeles.
The heart tells you when there is a reason to keep up with people. Most direction you receive through the heart is not meant to be understood. And this is where I believe Christ communicates. This is why living by the heart is an act of faith.
The spiritual and social foundation for Held is total unity. It is here for the weird. It is here for the worker. Held is for everyone.
Twin in the 1990’s and myself in the 2000’s, we both were influenced by Portland’s anarchist economy.
The first home I lived in was one block from a worker-owned record store, four blocks from a worker-owned grocery co-op, six blocks from a worker-owned coffee shop who bought their baked goods from a worker-owned bakery down the street. Artist-owned businesses were also common.
Then things changed in Portland. Maybe we participated in that by accident. We both fled, for our own reasons.
Whatever HELD is to become, it is with that same open loving attitude that we came up with in Portland.
My views do not interfere with the choices of any consenting adults. Your path is yours to undertake, and I believe your karma unfolds over countless iterations. Yet this life at this moment itself is divine and worthy of daily praise and thanks to _____.
Producing belts and fashion accessories is a grind like anything in life. This grind is fun, interesting, and feels good. The better I am at it, the better it is for people. That is it.
HELD Gear and THRU Media are my two brands. I am reviving them together because this little documentary is nothing, I am about to produce a tremendous flow of media only to promote Held Gear. It is either contract that I give to someone, or I revive my own media brand.
That too is just the beginning. My heart is asking that I document the Love I see in Philadelphia. I believe the same energy Portland had twenty years ago is here. It’s a very different context, but I know it when I see it.
I am older, but I’m still ready to rock. It’s a different context for me too, but I’m on the dance floor, metaphorically and literally.
Held is already plugging me directly into that world, as the DJ Instagram accounts I follow led me to my first event by Rock the House and FRNDS called Day Jawn.
Held was a hit. This week, I’m doing another DJ event, curated by BLCKTEETH. They asked me based on what they saw at Day Jawn.
It’s happening. It is exactly where it needs to be, and so am I.
at Day Jawn, introducing Held Gear to PhiladelphiaMicah Twin Recovering in 2012August 4 2012August 4 2012August 4 2012August 4 2012Sky selfieIt’s about the 5One of the last Radio Shacks, Ajo AZHaving installed the radio gearSunrise to workSmoking not drinkingVeganism“Held Belt” wagon (not really)The inherited product inventoryLittle mountain in the valleySaguaro by designMary and Baby JesusEnjoying the heatEl Tambó Festival 2022El Tambó Festival 2022First solo beltsMy first solo buildsThe box held, barely.I really stuffed it!Strapping ready to be producedMy first shop setupMy first batch of AurochsIn chronological order from 2012 to 2022, my trail to Held Gear.
